Now Mauberley is a fine enough guy. So Mauberley spends most of his twenties basically "out of key with his time," trying to make people appreciate how great poetry is, while modern culture just wants something ugly and simple, or "an image of its accelerated grimace. In section V of Part One, he actually goes on at length about how the Victorians who lived around were a bunch of stuffy weenies with no passion. No, Pound is interested in the mixture of classic beauty and intense passion usually sexual and violent that you find in the world of Greek myths. In section IX of Part One, Pound also rants about a conversation that his character Huey once had with a bestselling novelist. For Pound, this is one of the biggest reasons for why mass culture will never be able to produce great art.
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So, as well as being about poetry itself, Hugh Selwyn Mauberley is also about WWI and the effect of the war and its aftermath on the generation to which Pound belonged his earlier associate, T. Hulme , had been killed in the war in Like T. Pound explained his approach to the dramatic lyric in a letter to his friend William Carlos Williams who himself would become an important modernist poet, but over the other side of the Atlantic. The influential critic F. Eliot and Gerard Manley Hopkins.
The poem also hammers home just how exhausted the older, Romantic mode of English poetry had become by the early twentieth century. Poetry needed to be revitalised and rejuvenated, but nobody — not even Pound — was clear about what needed to be done. Leavis also observed that Hugh Selwyn Mauberley is a great autobiographical poem, but with the impersonality that we find in great art again, we feel that T.
Eliot would approve. One question to ask ourselves of this poem is: what is the relationship between form and subject matter, between the way Pound has written the poem and what the poem is about? If the poem is partly about how the Romantic age of poetry is exhausted, then how would the impersonality of the poem, and the quatrain form it utilises in various ways, help to reflect this?
So although Mauberley is written in quatrains, Pound allows himself to depart from the regularity of the quatrain form — something he does particularly in sections IV and V of the first part of the poem, when discussing the breakdown of civilisation that had culminated, recently, in the First World War.
Mauberley is attacking the cheapened philistine consumerism of the modern age, but are we also being invited to laugh at Mauberley? He is an aesthete, a self-conscious poet, out of key with the age in which he lives; we can find ourselves responding sympathetically to such a person but we can also find him laughable and a bit ridiculous.
In the last analysis, Hugh Selwyn Mauberley — like many great modernist poems — refuses to be pinned down or to have its paradoxes and contradictions resolved in a neat or glib way. But that really is another story. Share this:.
A Short Analysis of Ezra Pound’s Hugh Selwyn Mauberley
Buy Study Guide Summary: This poem is actually made up of eighteen short poems and grouped into two sections. It details his struggles to re-emphasize the importance of aesthetics and poetry in society. He pays particular attention to the classical Greek myths to illustrate his point, celebrating their classic beauty and intense passion. He describes America as a "half-savage land" where his art could not flourish. However, when he first arrived in London, he found that Britain was absorbed in commodities. Later in section one, Pound goes on to criticize artists and publishers for caring only about sales instead of the craft.
Ezra Pound: Poems Summary and Analysis of "Hugh Selwyn Mauberley" (1920)
Ezra Pound wrote poetry nearly years ago, but his work will resonate with any modern critic of reality TV today. Pound was as disgusted then with popular literature as many people are now with bad sitcoms and reality shows. He believed that awful contemporary literature degraded the classics, which he regarded as the most beautiful works in history. Just as some people today watch The Kardashians and are horrified at the commercialization of our society, Pound felt that literature in his time had become too commercialized. He belonged to the movement known as Modernism. Modernism was prevalent from around to Eliot and Wallace Stevens, Ezra Pound was a Modernist who believed that modern culture was decaying and degenerate.
Hugh Selwyn Mauberley Poem Text
Learn how and when to remove this template message The poem comprises eighteen short poems which are grouped into two sections. The first is an autobiography of Ezra Pound himself, as indicated by the title of the first poem, which reads "E. Readers have been misled by the fact that Pound assigns to every poem a title or, alternatively, a number. Thus poem I, "E.
Hugh Selwyn Mauberley [Part I]