Information about his early years is scanty, although some uncorroborated stories have survived, the most famous of which is that he was kidnapped three times because of the singular beauty of his singing voice. He then worked as a singer and a composer for Costantino Castrioto in Naples in the early s, and his first works are presumed to date from this time. However, he stayed there for only a year. Palestrina would assume this post a year later, in
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Adoramus Te Christe
Published by Chester Music HL. Edited by Luciano Migliavacca and Marco Rossi. Published by Edition Carrara M7. Oxford Choral Classics Collections. Sacred, Early Music — Renaissance. The New Church Anthem Book. Work Title Adoramus te Christe Alt ernative.
Adoramus te Christe (iii), motet for 3 voices, M. xxi
33. Adoramus te Christe (2).
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